tag:blogger.com,1999:blog-42394084410278896952023-11-16T06:30:23.858-08:00Grumpy Moose ProductionsUnknownnoreply@blogger.comBlogger29125tag:blogger.com,1999:blog-4239408441027889695.post-71704128655384549712013-12-11T08:54:00.003-08:002013-12-11T08:54:29.123-08:00CD Artwork<div class="separator" style="clear: both; text-align: center;">
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-40363458569358716742013-12-11T08:42:00.002-08:002014-04-06T14:38:04.982-07:00FInal Crit- Grumpy Moose and Lucy<br />
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<a href="http://www.scribd.com/doc/216648299/The-Making-of-Lucy" style="text-decoration: underline;" title="View The Making of Lucy on Scribd">The Making of Lucy</a> by <a href="http://www.scribd.com/emily_clarkson_3" style="text-decoration: underline;" title="View Emily Clarkson's profile on Scribd">Emily Clarkson</a></div>
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<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/QlPCAkcHV8U?feature=player_detailpage" width="640"></iframe>eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com2tag:blogger.com,1999:blog-4239408441027889695.post-67916469970500120192013-12-08T10:10:00.003-08:002013-12-08T10:10:49.718-08:00Onto Texturing!Needed a break from the skinning process. I have yet to sort out the skirt, but also the bunches. bt I feel I may need back up in order to figure out how to achieve this. In the meantime however, seeing as Lucy is UV mapped, I jumped straight in and Textured her.<br />
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Adding just the freckles, made Lucy look a little pasty so I decided to tint her cheeks slightly and give her a little more colour despite the fact she's supposed to be a cartoon character.<br />
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So finally after working my way down the body. I got to the eyes and I decided not to UV map the eyes. And that shaders were better. However the only issue highlighted is that those eyes are not quite centred...</div>
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However I'm chuffed with how the eyelids look having changed a few of the faces.</div>
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Now for the rigging. I'm hoping I'll be able to fix the eyes hereā¦ and also get those joints done for the skirt and bunches. In any case. She's well on her way.eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com1tag:blogger.com,1999:blog-4239408441027889695.post-31894694339436765712013-12-06T16:00:00.004-08:002013-12-06T16:00:48.397-08:00Skeletons and Skin's<h3>
Skeleton</h3>
So a bit of progress has been made. Lucy was given a basic skeleton complete with a 'ribbon spine'. Ideal for a cartoon character for the squash and stretch features it possesses. Its a fairly quick process, the long bit is the next bit. The skinning- attaching the skeleton to the model and ensuring movements between joints are corrected.<br />
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The ribbon spine completed Addition of legs, hips and pelvis<br />
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Addition of the arms shoulders and hands Finally the head<br />
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Lucy's complete skeleton!</div>
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Skinning</h3>
Below are playblasts of skinning tests as I was adjusting the weights between joints. These corrections help make the characters movement more natural when the joints are later manipulated during animation.<br />
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Below is a sample of the arm movements. Testing the wrist, elbow, shoulder and clavicle.</div>
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This bit is of the most fiddly and long winded section of the character. The hands and fingers</div>
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Now for the main body. Movement shown in the chest, spine joints and also the pelvis</div>
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Next comes the motion in the legs. Testing the motion of the hips and knees. </div>
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Finally comes the motion in the feet and ankles. These ones bothered me most in that the ankle pointing down looks too soft. The thing is, there is only one ring of vertices assigned to the ankle joint itself.</div>
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The only bits left to do are to add joints to the bunches in Lucy's hair so they can react when she moves and the same with her skirt. I'm still not entirely clear on how to achieve this but I'm sure I will work it out shortly!</div>
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-25693476919053864192013-11-28T13:37:00.001-08:002013-11-28T13:37:27.688-08:00Lucy's getting the UV treatment...I have just spent the last two days plastering Lucy with the brightly coloured UV maps. And after some interesting and frustrating sessions of unfolding items like hair and socks she's finally completed.<br />
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com4tag:blogger.com,1999:blog-4239408441027889695.post-61632009073635420392013-11-25T03:39:00.000-08:002013-11-25T03:39:50.393-08:00Finishing Lucy<div style="text-align: center;">
Here are the final stages of creating our character. Theres a lot here because its an amalgamation of several sessions of modelling!</div>
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I wound up creating legs that went up to the waist ready for connecting to the waistband of the skirt for later rigging.</div>
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Then came the shoes. They were quite sweet if a little blocky.</div>
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Unfortunately creating the arms I forgot to record my progress but they didn't take that long to model despite missing an orthographic angle. I managed to guestimate using the tutorials</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFjaxZ3ZhQZmxurzI6xBKYU5h6lHvJGhd2KwfsAmHGdplLktdaylAyBahVcgmErzhXLcLkZ1DOqMljZ98yIyzQx0_dv3sLiE_N5mfpxOb4o7fbAZnBw_ueesio8KAkPXs0aIwICTF326cb/s1600/Body24.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFjaxZ3ZhQZmxurzI6xBKYU5h6lHvJGhd2KwfsAmHGdplLktdaylAyBahVcgmErzhXLcLkZ1DOqMljZ98yIyzQx0_dv3sLiE_N5mfpxOb4o7fbAZnBw_ueesio8KAkPXs0aIwICTF326cb/s200/Body24.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjkDrd94u4tc6eQ3B2xb63l9mKkiPOSGzFMvujZ6AFNGgh2_82I-a9VX72ItIIlidS2qMTp64jpqs97S9u54cmP3zZXhYhhB5f83nQtERcConJW_9djn4wrBruHwUIwAcGFIBejTf6SM8Z/s1600/Body25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjkDrd94u4tc6eQ3B2xb63l9mKkiPOSGzFMvujZ6AFNGgh2_82I-a9VX72ItIIlidS2qMTp64jpqs97S9u54cmP3zZXhYhhB5f83nQtERcConJW_9djn4wrBruHwUIwAcGFIBejTf6SM8Z/s200/Body25.jpg" width="200" /></a></div>
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Creating the hands were slightly long winded what with the example being followed only being four fingered while Lucy was designed to be five fingered. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo7JLPzrVoChPiGc7rNAWW8WrXwuFlH6vCWhbmeU2dHpGrhbXIHo4tWNcKfItUxl_YV48onHISE6a1u7egdd5NypELLkPPCPZQ2ehjmV42zjzPrWT6DJM-iIVVVBnFnhxQgVsGKAAaqZeD/s1600/Body28.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo7JLPzrVoChPiGc7rNAWW8WrXwuFlH6vCWhbmeU2dHpGrhbXIHo4tWNcKfItUxl_YV48onHISE6a1u7egdd5NypELLkPPCPZQ2ehjmV42zjzPrWT6DJM-iIVVVBnFnhxQgVsGKAAaqZeD/s200/Body28.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiFzZfgDOPv8iqlkuIKdLYMRrPvEYjN1bugC-d4AmZoh4qZNLLe7QZkQSwGvvLL_63yWItZQFOYaYfyhENzGu61ENLojCUm5sWQgK7exDxoJNcO5BL57VcV5JW2AncWzQvhgNzZQmz6oqd/s1600/Body29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiFzZfgDOPv8iqlkuIKdLYMRrPvEYjN1bugC-d4AmZoh4qZNLLe7QZkQSwGvvLL_63yWItZQFOYaYfyhENzGu61ENLojCUm5sWQgK7exDxoJNcO5BL57VcV5JW2AncWzQvhgNzZQmz6oqd/s200/Body29.jpg" width="200" /></a></div>
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It was about here I suddenly remembered her hands were the wrong way up and did go back and turn them 180 to make sure she didn't look broken.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7yZTTZfc6uCxZcjYdkygbs5EIxDBwxzs7RO3SJWcQUbfIKwQXOAw5utuV2dqYPKTdfXIPdZ30k2Sb8Mqte_1tV115U7D027W12BTvKUSp5-J1UkDwseBNU5Aj4igS8csWj7XIycXlcI67/s1600/Body35.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7yZTTZfc6uCxZcjYdkygbs5EIxDBwxzs7RO3SJWcQUbfIKwQXOAw5utuV2dqYPKTdfXIPdZ30k2Sb8Mqte_1tV115U7D027W12BTvKUSp5-J1UkDwseBNU5Aj4igS8csWj7XIycXlcI67/s200/Body35.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3umyMoY9y5GJh6aXXSkGK1eQmMSpfcq-U7c_kc1SVqtlrBtiGiOrzOQrgDYRIKN1qyfbn7OUz9C6PhotSIVesh8w4l1pxg1Yg4gpszUEpTiuSBRNWOCSkSxEpISSQ-5SgkDW4PmE0Fjon/s1600/Body36.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3umyMoY9y5GJh6aXXSkGK1eQmMSpfcq-U7c_kc1SVqtlrBtiGiOrzOQrgDYRIKN1qyfbn7OUz9C6PhotSIVesh8w4l1pxg1Yg4gpszUEpTiuSBRNWOCSkSxEpISSQ-5SgkDW4PmE0Fjon/s200/Body36.png" width="200" /></a></div>
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Finishing off the head here. Had to recreate the eyes, make the hair and eyebrows.</div>
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The hair was completely ad hoc. I had to guestimate a lot!</div>
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The body and head were connected</div>
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And finally we have Lucy!</div>
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com1tag:blogger.com,1999:blog-4239408441027889695.post-76060160309909930192013-11-14T03:38:00.002-08:002013-12-23T03:25:32.437-08:00Further modelling on LucyI completely forgot to blog the progression of Lucy's head! So here is the run down of her creation so far. here have bee a few issues in creating her head. What with having a teeny neck it did much up the geometry a little bit. Also i believe the eye might still be a headache to create and fit together. But there is a plan!<br />
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Here is the initial blocking out phase</div>
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Then I began to model the nose, the lips (only a little) and the ears. the ears opened up a can of worms in that the shape of this head in particular meant geometry was a little out of whack, but with Alan's help (and a few friends helping me to sort out triangles) it all came out well in the end.</div>
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Here I've gotten into creating the throat. Although our character doesn't actually speak her expressions may lead to her opening her mouth.</div>
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Next on the agenda are creating the eyes and the hair for the character. I expect the hair to be quite a challenge!</div>
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-19122891883751641622013-11-08T08:50:00.003-08:002013-11-08T08:50:38.923-08:00Modelling LucySo with the general look of our main character (now named Lucy) established I got started on the model making within Maya. I immediately ran into a hurdle with the head in how to create the eyes for this character. Despite our simultaneous tutorials with Alan covering modelling a head, the eye shapes are nothing like you're average eyeball. Needing back up I decided to drop the head and move to the body and block the majority of that out instead. I think its going quite well so far...<br />
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For a first attempt with the geometry mirrored it didn't look all that bad! But theres a long way to go yet.<br />
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Creating the sleeve puff but was really quite easy (I wasn't entirely sure how it might go) But trying to do the collar however wound up being a bit of a mind bender... not wanting to mess up normals and things. i' still not sure if its correct or not. It looks ok for now at least.<br />
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This is the end point after two sessions of modelling the body. I thought I would try and add to the detail creating a clear place for the buttons to sit. Its not so bad thus far. My next stop is to create the buttons to sit on the front and then get into creating the arms and legs.eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com1tag:blogger.com,1999:blog-4239408441027889695.post-53090383482171027672013-11-03T06:10:00.001-08:002013-11-03T06:10:08.109-08:00Character Colour Concepts<div class="separator" style="clear: both; text-align: center;">
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Some colour tests for our main character. I'm partial to #7, #8, #14 and #17.</div>
<br />Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-4239408441027889695.post-62817868989849173602013-11-01T09:09:00.003-07:002013-11-01T11:09:58.006-07:00Further Character development- the girl is taking shapeSo with the initial sketches I pulled out some of my personal favourite features from both mine and Meg's Sketches which you can see in the kind of influence map below. Although I've made it clearer on the map which parts were the 'Hero' parts so to speak there was a little bit of experimentation with various heads on a body creating our first sort of character line-up.<br />
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These little girls were created back to front, D was invented first followed by C and so forth. But it would appear we inadvertently saved the best till last. Design A we agreed is our favourite. She is the most adorable design we have so far and with any luck her cuteness will serve to make her story all the more heart wrenching when the animation is completed. The next step is to test out her various outfits and colour them. Meg designed a few outfits previously and those will be trialed on the body. We will also be getting into the nitty-gritty of colour and textures in the style of our fifties cartoon art influences. </div>
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To kick start a colour palette, Meg showed me a novel way to find the sorts of colours we were after. Taking the bright colour tones from our fifties kitchen influence map images, we then used a filter in photoshop called 'crystallise', which took out all the details and left us with this broken mishmash of the colours. These will be used to colour the girls fantasy home life of her imagination. The same filter was applied to a series of darkened post apocalypse images from the game 'Fallout 3' for the subdued colours we wanted for the little girls bunker reality. </div>
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Having found some colour palettes and a general look for our character I went on to combine the two and created the initial test runs below. I also took the opportunity to correct the figure and add a few extra features such as frilly socks. She's looking pretty cute!</div>
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eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com2tag:blogger.com,1999:blog-4239408441027889695.post-40732171257368437922013-10-31T15:43:00.000-07:002013-10-31T15:43:10.180-07:00Character DevelopmentSo with a little word during a tutorial we realized we've got our priorities in the wrong order. Top of the agenda should be the character design. So with Meg's rather helpful influence map and inspiration from our art style between us we have produced the sketches below.<br />
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Her are some of Meg's thumbnail sketches including the deliberation as to how tall our character should be. We feel drawn to the design thats four and a half heads high. The girl looks old enough to understand some of the situation around her. The fear behind the Atomic age, but young enough to still have an air of naivety in the way she plays with her toys.<br />
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While Meg went about the thumbnails the traditional way I hopped to it with a graphics tablet drawing on the cartoons of the era. Beginning with faces and head shapes and slight variations in hairstyles before I moved on to bodies.</div>
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Heads</div>
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-74928776822821615122013-10-30T18:25:00.000-07:002013-10-30T18:25:00.331-07:00Animatic Development.In preparation for the pitch I got to working on the animatic for our story, developing the scenes visuals from the script and implementing a little artistic license where the script was vague. I discovered however there was a rather large hole in our script on the key scene. That being the third act. Trying to express the space as a bunker without quite literally sticking a sign to the wall proved to be quite difficult and for the purposes of finishing the animatic I simply implemented a corrugated ceiling and the presence of a fifties radio which wasn't really enough. The animatic below is the silent first version.<br />
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After a talk with Alan and with our third scene being flagged as 'not-quite-right-yet' Alan suggested that we needed more paraphernalia belonging to the family scattered about the bunker. Maybe self help guides or magazines, instruction leaflets and the like.The cans of food and jugs of water, crates of things and items such as gas masks and blankets will help to hammer home the situation. Also to try and communicate this better a change in the camera angles used in that scene would really aid our animation.<br />
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I decided to do a little more research into bunker interiors and found the very helpful videos linked <a href="http://www.woodtv.com/eightwest/inside-a-1950s-bomb-shelter">here</a>. The video's show an interview and exploration of an almost untouched 1950's bunker in Michigan USA, Complete with survival kits. This video really gave a sense as the the size of the space and how everything worked.<br />
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Now we are going to reassemble another animatic this time with incorporated sound design.</div>
eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com2tag:blogger.com,1999:blog-4239408441027889695.post-48984755496843677272013-10-30T18:09:00.007-07:002013-10-30T18:09:48.519-07:00Chosen Art StyleMeant to blog this a while ago but it dropped in the list of priorities. Here is the fifties cartoon style we have in mind for our world which will hopefully appear in the thumbnails as they are completed. Alll the images are scans taken from a book called the 'Cartoon Modern- Style and Design in fifties Animation'- written by Amid Amidi.<br />
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Its a wonderful style, simple, angular and fun. Evoking the slapstick humour of Looney Tunes and Merry Melodies, also the Flintstones. The look combining block shapes and colour with a smattering of texture.<br />
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The image below is our hero image. The second we spotted it we knew this was the style we wanted for the world of 'dolls in the dark'. There is a mass of potential to twist the reality visually so that the fantasy world of the little girl looks quite skewed. But also we can use colour palettes to differentiate between reality and fantasy. The below feels like the more subdued tones of our main characters reality.<br />
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-78585039930744301172013-10-30T17:44:00.003-07:002013-10-30T18:22:51.012-07:00Reworked StoryboardHere we have our storyboard. However this version is devoid of the art style that we have in mind. It was purely so we could work out the camera ad action taking place within our story. The animatic will help better explain the motions within our story and eventually Pre-viz will leave no question as to the points of view and camera actions we would like!<br />
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The mish-mash of scenes and points of view towards the end are a series of close ups in mind that show the bunker to be just that, a bunker. They will be a collection of drawn out zoom's and Ken-Burns shots before finally the little protagonist is focused upon... alone awaiting the dark.eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-55184144833886374812013-10-20T18:09:00.000-07:002013-10-20T18:09:03.381-07:00Illustrator Work<div class="separator" style="clear: both; text-align: center;">
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After talking to Alan about 1950s animation backgrounds, a style which apparently is called 'Shaggy', I tried replicating it in Illustrator. I'm not entirely thrilled by it, Illustrator is a tricky program to wrangle so I cut quite a few corners. Looking at it shrunk down I see that my intention of making sure no two lines were perfectly parallel may have gone a little overboard. Oh well, live and learn!Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-4239408441027889695.post-22866032148797447362013-10-19T13:48:00.002-07:002013-10-19T13:48:57.644-07:00Influence Maps-The Lounge, the Kitchen and the DollsIn the grand scheme of things the interior decorating of the fantasy world invented by our main character, the little girl will be completely stereotypical fifties. The colour schemes and the decor not too dissimilar from the items featured in our influence maps.<br />
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However the Dolls have proved more difficult. In conversation with Alan we voiced our confusion on how these dolls should move in the first two acts of our narrative. Should we make obvious joints on them, if so how many, should they be realistic to dolls of the time? his suggestion is that we take something simple such as Playmobil dolls (second row, first image) and give them more human anatomy. I feel this is a good place to start, but I am also attracted to the simplistic nature of the Flagg Dolls (Third row, far right). These are dolls that were available during 1950's, they have some limited movement...</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGztM3yo60IqnM8D_Ogue0Ru2-nvlsqSoltE3E7J68wqxnI7cyzKN7xBFptsFOo6aSfTCA2L4TunYLpBxZyP0ljI98mZisTnPlKyWuKlkPwYQND5UZB2c36ZMPEK-7w-N13s8GJCSHERxi/s1600/Dolls+Inf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGztM3yo60IqnM8D_Ogue0Ru2-nvlsqSoltE3E7J68wqxnI7cyzKN7xBFptsFOo6aSfTCA2L4TunYLpBxZyP0ljI98mZisTnPlKyWuKlkPwYQND5UZB2c36ZMPEK-7w-N13s8GJCSHERxi/s320/Dolls+Inf.jpg" width="320" /></a></div>
<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-74201039741430086452013-10-14T18:30:00.001-07:002013-10-14T18:30:13.836-07:00Bunker - Initial Thumbnails<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx8eTfKEAxhkTpNX0EGsxAHUPH4CXAKaKUYhQqX35oDSAR_dPPd6OrBRoDBw6kodgFO4jjo78pEiaSTSrOhnfbRKZt63vxNUMOu8TElYlgAwQQ70iPk-KINYccvZ5baEadXd3A2xrt75xG/s1600/Bunker_Thumbs_001.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx8eTfKEAxhkTpNX0EGsxAHUPH4CXAKaKUYhQqX35oDSAR_dPPd6OrBRoDBw6kodgFO4jjo78pEiaSTSrOhnfbRKZt63vxNUMOu8TElYlgAwQQ70iPk-KINYccvZ5baEadXd3A2xrt75xG/s640/Bunker_Thumbs_001.png" width="640" /></a></div>
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At this point I'm still quibbling back and forth regarding a private or public bunker. #4 and #5 were largely to establish the bare necessities for survival, and figuring out how to best use the limited space of a bunker. I'm not sure it's the very best use, as I foresee a lot of falling-over of chairs. What I gathered from these thumbnails is how there can be absolutely no wasted space in a bunker, so as well as feeling claustrophobic due to the low ceiling and windowless walls, it will also need to feel crowded by furnishings.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-18114606694423084142013-10-14T18:25:00.000-07:002013-10-14T18:25:14.438-07:00Dolls in the Dark Initial Bunker ResourcesI've taken on the duty of designing the bunker interior for the animation; I'm planning to render it in a more realistic, 'gritty' style than that of the little girl's reverie to drive home the seriousness of the situation. So, obviously, I'm going to need some references, particularly as the closest I've ever been to 'subterranean' is the CGAA base room.<br />
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I've put together a major 'cheat sheet' for my own reference, but the file is <i>huge</i> - open at your own risk.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgEmQvOSpW7GiCb_zFIk0LLKqjgduGv9cCPDQdq2FfaBMsTolHQILXLW_fmlCXXVuMB9ykzEN0zT6SJHMMLJ1tBVgqS_nfNUjaVHqEeLuKTnlHSJtwQCUNk38-vSFJaUl-GaDwqaF1GwBb/s1600/Reference_Cheat_Sheet.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgEmQvOSpW7GiCb_zFIk0LLKqjgduGv9cCPDQdq2FfaBMsTolHQILXLW_fmlCXXVuMB9ykzEN0zT6SJHMMLJ1tBVgqS_nfNUjaVHqEeLuKTnlHSJtwQCUNk38-vSFJaUl-GaDwqaF1GwBb/s320/Reference_Cheat_Sheet.png" width="226" /></a></div>
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So, for your viewing pleasure, here's a slightly more geriatric-laptop-friendly version.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGD7xVtPXgapNdmWyENzBq4Nx2Vngwae5Z0baBbTNVSiEdR8QohMqvbmVxAams7SsDmH1AqyrIN4qU8PsH2MsnwIQWx8jHHVNafYMAk9phjAmHXH1ZNVyccHKeGTYUUNutJ5NoFswJ07sF/s1600/Bunker_Refs.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGD7xVtPXgapNdmWyENzBq4Nx2Vngwae5Z0baBbTNVSiEdR8QohMqvbmVxAams7SsDmH1AqyrIN4qU8PsH2MsnwIQWx8jHHVNafYMAk9phjAmHXH1ZNVyccHKeGTYUUNutJ5NoFswJ07sF/s320/Bunker_Refs.png" width="320" /></a></div>
Bunkers are fun. I have fond memories of playing in old block houses out in the marshes near my house, back when I actually went outside and ran about. World War and Cold War architecture has always been close by for me.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc9Id4WFsTUQZxF2M_sNhKgOq3tpyk2GvSTjCm4_jSDoE_fthaA_idlL5vd1jKmU08fLqg3z8EFxl0goskkuC3KUbeBO_3iEZvoR2jjBEFN1S0RIqMSMD2yNzmCA0xnWuXV640lRvE7FZ1/s1600/Subterranean_Structure_Refs.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc9Id4WFsTUQZxF2M_sNhKgOq3tpyk2GvSTjCm4_jSDoE_fthaA_idlL5vd1jKmU08fLqg3z8EFxl0goskkuC3KUbeBO_3iEZvoR2jjBEFN1S0RIqMSMD2yNzmCA0xnWuXV640lRvE7FZ1/s320/Subterranean_Structure_Refs.png" width="204" /></a></div>
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Basements and the like, not so much. The soil in my village has a hard enough time tolerating the foundations of above-ground buildings, so underground architecture is more-or-less out of the question. What I love about cellars is the sheer variety, from wine cellars to root cellars to data centres to places-where-people-put-their-stuff-to-forget-about-it. I'm not sure whether we want to go down the private shelter route or whether we want the shelter to be huge, as though it was a public building, so I'm keeping my options open.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBJjN3U_AuetF36qLLr4qMvSDqhm7ToXJ1ctTbZuA0Z0ZKwT3h02YJZrpR9hhVsAitf6EH4fVSlC6u2md1oncMy3X9Yno2Fru7bUyh2-ehKDIIK829RAJfHzk3gCtp1CQZ5UDvk2ZwWUgw/s1600/Bunker_Study_Michael_Janzen.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBJjN3U_AuetF36qLLr4qMvSDqhm7ToXJ1ctTbZuA0Z0ZKwT3h02YJZrpR9hhVsAitf6EH4fVSlC6u2md1oncMy3X9Yno2Fru7bUyh2-ehKDIIK829RAJfHzk3gCtp1CQZ5UDvk2ZwWUgw/s320/Bunker_Study_Michael_Janzen.png" width="142" /></a> </div>
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Last but not least, there's this very informative bunker study by <a href="http://www.tinyhousedesign.com/how-to-design-a-nuclear-fallout-shelter/">Michael Janzen</a>. The accompanying article is excellent as well. It discusses the basic principles of nuclear-survival architecture, such as the importance of 90-degree turns in ventilation systems to keep irradiated particles from entering the bunker, and various building materials and the amount of them needed to block radiation.</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-39841587615388408942013-10-14T03:25:00.002-07:002013-10-14T03:25:12.103-07:00Idea 4- Dolls in the Dark<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFRsAhKcJC0FxmAYoIJ0Cn6dxAzwWgKRKRs7Mzt5GBOkH040ihEuzrbqt0jhVGI4BLUt_bxy1hWzgFPdHGa7CeIQpV8ezurIzq7oTaIp07MR6ebnoqdYLYBOAvcpJbXU4xG07um63M71jj/s1600/Dolly+Sketch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFRsAhKcJC0FxmAYoIJ0Cn6dxAzwWgKRKRs7Mzt5GBOkH040ihEuzrbqt0jhVGI4BLUt_bxy1hWzgFPdHGa7CeIQpV8ezurIzq7oTaIp07MR6ebnoqdYLYBOAvcpJbXU4xG07um63M71jj/s200/Dolly+Sketch.jpg" width="200" /></a></div>
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Previously Meg and I here at Grumpy Moose had decided to try and run with the following idea for our Atomic era inspired animation.</div>
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'<span style="line-height: 115%;">A day in the life of a dolly housewife. The husband is waved off to
work with his lunch. The daughter helps out cleaning the house and making apple
pie. The dolls world flickers away to reveal the reality. A little girl sits utterly alone in a bomb shelter playing with the dolls. Over the sounds of a radio playing music, the room shakes
with what sounds like a bomb impacting.'</span></div>
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In our brainstorming session over the idea and how it would work I drew up a storyboard, which in the space of a few hours completely evolved again. However all the same we wanted to record its progress. In the images below, the main figure is the housewife doll until reality is exposed and the dolls world is seen to be the little girls fantasy.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdU3rVdZvb-2m4uu7mX3I-ewMcumcHUKUPoVl1B-hPzIyAllBPa9_PbAIV2ICa14JIltsZT7CIYN3wib-R56BPnAyriAIKeiLV6u2W-uRoNr3XDieOaQUnBCnjBJOMXEh0ZBwHGrXTVBBv/s1600/Housewife+Page1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdU3rVdZvb-2m4uu7mX3I-ewMcumcHUKUPoVl1B-hPzIyAllBPa9_PbAIV2ICa14JIltsZT7CIYN3wib-R56BPnAyriAIKeiLV6u2W-uRoNr3XDieOaQUnBCnjBJOMXEh0ZBwHGrXTVBBv/s320/Housewife+Page1.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvik3OPerhsrwQnU4S0FQoGm9FRU_TMaWRQT89c7NMwBqBn182rPv2nsI8i2VjZ91dkeejRvdgWkriu8mjO2HO1dIh0leYGdOy_9ndMzPp0N5NDLB0FzN81xWofl8mBYnJzqX0P48CYGNI/s1600/Housewife+Page2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvik3OPerhsrwQnU4S0FQoGm9FRU_TMaWRQT89c7NMwBqBn182rPv2nsI8i2VjZ91dkeejRvdgWkriu8mjO2HO1dIh0leYGdOy_9ndMzPp0N5NDLB0FzN81xWofl8mBYnJzqX0P48CYGNI/s320/Housewife+Page2.jpg" width="320" /></a></div>
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The storyboard changed as we realised this was the fantasy of a young girl who is now very alone in a bunker. And her fantasy would be as biased to her dreams as possible. Therefore it would make it more likely that the 'daughter' dolly character would be another version of herself. And like any small child would love to spend time with her mother, learning how to be a good housewife for her future husband. So with this in mind we devised a script, building on this newly evolved idea.</div>
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<a href="http://www.scribd.com/doc/175927386/Dolls-in-the-Dark-Initial-Script" style="text-decoration: underline;" title="View Dolls in the Dark- Initial Script on Scribd">Dolls in the Dark- Initial Script</a></div>
<iframe class="scribd_iframe_embed" data-aspect-ratio="undefined" data-auto-height="false" frameborder="0" height="600" id="doc_50428" scrolling="no" src="//www.scribd.com/embeds/175927386/content?start_page=1&view_mode=scroll&show_recommendations=true" width="100%"></iframe>eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com2tag:blogger.com,1999:blog-4239408441027889695.post-18148122330550334542013-10-13T15:42:00.002-07:002013-10-13T15:42:07.938-07:00The New Idea's- The 3 Act StructureAs was mentioned in the previous post. A three act structure was the new aim of the game and below are a series of ideas revolving around the Atomic Age.<br />
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<span lang="EN-US">1.
A fifties housewife straightens up the perfect suburban home. Playing
super-mum, gourmet chef and welcoming home home the husband with a peck on the
cheek. As the door closes however you realise its a vaulted door and then come
to realise 'home' is a bomb shelter buried below ground.<o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDADIc_6OJ2lWxLEIHaEQ-UZXS1al_Jc_7WwCBrq9f5SC9nuQ5aNAmVADIMElZYWOvvZ2h0LdfB4Y6W-mKFsHMP_o2MaXnFINtOv4wiSs3uvKYZacFeBXz2PfyDgxPCQw6QtO7k7pZTo7k/s1600/Vaulted+Sketch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDADIc_6OJ2lWxLEIHaEQ-UZXS1al_Jc_7WwCBrq9f5SC9nuQ5aNAmVADIMElZYWOvvZ2h0LdfB4Y6W-mKFsHMP_o2MaXnFINtOv4wiSs3uvKYZacFeBXz2PfyDgxPCQw6QtO7k7pZTo7k/s200/Vaulted+Sketch.jpg" width="200" /></a></div>
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<span lang="EN-US">2.
A pair of children pretend to be news reporters, sitting behind fold out tables
and reporting on the mundane and mildly amusing, making fun until their mum
appears with their food on trays. They settle to watch a real news broadcast consisting
of an atomic bombing and shattering their playtime.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfGXB328o_9fJFBRxU6awp2zsJADbx68C45YlmwfwZJYkIP3ETLymXJBKuedUukEhxNb0o1N4Pq62PsaoZeerWLGAK-LYi1QNCkge23GI1im3WDW1pNhQJRIRS9vrRWZYPxfUWUIs2l9FJ/s1600/TV+Dinner+sketch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfGXB328o_9fJFBRxU6awp2zsJADbx68C45YlmwfwZJYkIP3ETLymXJBKuedUukEhxNb0o1N4Pq62PsaoZeerWLGAK-LYi1QNCkge23GI1im3WDW1pNhQJRIRS9vrRWZYPxfUWUIs2l9FJ/s200/TV+Dinner+sketch.jpg" width="200" /></a></div>
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<span lang="EN-US">3.
A giant dinosaur attacks a pretty suburban town- In reality its the clashing of
a brother and sister at playtime. The young boy crashes about playing Godzilla,
disturbing his sisters perfect village. He goes to trample one of the
dollhouses when the toys topple before he can reach them. Looking to the
window, all that can be seen is a mushroom cloud rising in the distance.<o:p></o:p></span></div>
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<span lang="EN-US"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkB_phOAtvNyB1DscX9OdSTnLznE71TC_lhbwbA-B5Xv08w2Z-Ml95iuqkFcuaIezxgn_GP2QKqZlAHu07sRb14Mt3uC5tSHm4kFevDG5_5jHXLJQ9Kdd2_UqIoHf7AGVeddKqYdplsvx6/s1600/Godzilla+Sketch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkB_phOAtvNyB1DscX9OdSTnLznE71TC_lhbwbA-B5Xv08w2Z-Ml95iuqkFcuaIezxgn_GP2QKqZlAHu07sRb14Mt3uC5tSHm4kFevDG5_5jHXLJQ9Kdd2_UqIoHf7AGVeddKqYdplsvx6/s200/Godzilla+Sketch.jpg" width="200" /></a></div>
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<span lang="EN-US" style="line-height: 115%;">4. A day in the life of a puppet
housewife as she goes about her daily business. The husband is waved off to
work with his lunch. The daughter helps out cleaning the house and making apple
pie. The puppet world flickers away to reveal a little girl playing with dolls.
She sits alone in a bomb shelter as the light bulb flickers and the room shakes
with the impact of a bomb.</span></div>
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<span lang="EN-US" style="line-height: 115%;">After discussion with Meg we found ourselves leaning more towards idea 4. Having such a massive contrast between the fakery and plasticised lifestyle of the puppet/ doll's apple-pie lifestyle and the grim reality of the girl playing with those dolls, hiding out in a bunker as a sole survivor, really covers the duality of the fifties. the optimism in the face of the dark reality that man could now destroy itself.</span></div>
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eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com1tag:blogger.com,1999:blog-4239408441027889695.post-22033773565634097932013-10-13T15:28:00.001-07:002013-10-13T15:28:02.962-07:00Round we go again- New influences for new ideas!So another conversation with Phil and ideas have bee rejigged once again. The car idea just had no Story content, no feeling to it what so ever. So Phil took me back to basics. Start off with a three Act Structure and two inspiring video's that incorporate this are these two. 'Kiwi!' and StoryCorps 'She Was the One'<br />
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Both video's story structure resonate well with the theme of duality. A theme which is also present during the atomic age The fifties was a time of optimism and fear. Man was getting back on its feet following the world wars, but finding new ways to destroy itself simultaneously with Atomic weapons. So while the Kiwi makes its first flight, we suddenly realise how it ends tragically as the Kiwi falls to its doom. As for the Storycorp episode, the voice over provides a similar three act structure, the interview sets the scene of life before 9/11 to the events as they unfolded and finally the conclusion.</div>
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This three act structure- where the audience simply absorb the happenings of the first two acts before getting clonked over the head with a twist- is a sequence that just works. It was a structure Meg and I had tried before with the early storyboarded idea of the airliner turning out to be a bomber carrying the H-Bomb. But now with the concept of three acts revitalised I went about coming up with some new ideas...</div>
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eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-70813833734879815752013-10-13T06:27:00.002-07:002013-10-13T06:27:24.160-07:00The Fifties Failed Car- the Ford EdselHere is the initial script for our crazy Fifties car idea, detailing a crash test dummy's endurance of 'progress'<br />
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<a href="http://www.scribd.com/doc/175445010/Don-t-Be-A-Dummy-script" style="text-decoration: underline;" title="View 'Don't Be A Dummy'- script on Scribd">'Don't Be A Dummy'- script</a></div>
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Having completed our first scripted effort and with a little more direction from both Phil and Alan, we were instructed to look at different types of cars. Maybe some of the worst models, to pick up on their failures and add them to the disastrous mix for our escalation animation idea. The failure car was the Ford Edsel.</div>
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Due to the strange complications between car manufacturers it would appear many of this model car reached the end of the production line unfinished and were even sent to dealerships missing parts. When it came down to popularity, a hype had been built up through various advertising methods, culminating in general disappointment and indifference towards the car when it was finally revealed to the public. As for physical faults or goofs there were not very many. Apparently the hood ornament had a tendency to fly off when the car reached 70mph and buttons on the steering wheel to change gears was a cumbersome edition to the car. In any case people tend to remember this car as an absolute failure and as a creative studio, Meg and I thought we could use that...</div>
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However throughout or scheming we were losing sight of the Atomic age and Phil quite rightly pointed out we should be incorporating the atom into our car. Make it nuclear powered. The fifties was a time when nuclear energy was considered a great thing, the future and progress. Plus there was potentially more material to work with. For example the car would glow in the dark due to the radiation...</div>
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There is plenty to be getting on with and time to flesh out a new script....<br />
<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com1tag:blogger.com,1999:blog-4239408441027889695.post-52904372640631615252013-10-11T14:09:00.003-07:002013-10-11T14:09:25.581-07:00The Car of the Future! - Another idea...So we went into a tutorial with not much. A few ideas that we didn't really have our heart and soul in and walked away with a new idea courtesy of Alan.<br />
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If there is one commodity that shows its age, it is the car. Cars from every era have their traits linking them to their time period. The fifties was a time of optimism and looking towards the stars and new technologies. Combining a car and new gadgets could easily become an animation of escalation as gadgets fail in spectacular fashion and such like.<br />
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With this idea in mind and also old cartoons such as 'Wacky Races' and then being inspired by a series of links given to us by Alan about 'Cars of the future' Meg and I engineered a new idea.<br />
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'A crash test dummy could suffer horrifically at the tests on a new space age car. Eventually the recent invention of the seat belt can save him from the mishaps of the malevolent car.'<br />
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The idea was that this car could have jets for acceleration, wings for flight, Ejector seats possibly and even legs for covering all terrain. With each of these features would be another way for the crash test dummy to come to a nasty end. With high speed acceleration comes a high speed stop. Therefore a crash test dummy could easily fly through the windscreen. Flying in an open topped car when you're not strapped in won't end well and ejector seats... there is definite comedy value to be had.<br />
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com1tag:blogger.com,1999:blog-4239408441027889695.post-80864920294595389992013-10-11T14:09:00.001-07:002013-10-11T14:09:13.776-07:00So what else went on in the fifties...?- other idea'sHaving done a fairly narrow search field into the atomic age I set about looking at what else happened during the fifties aside from the bomb tests and conflicts. There was a fair amount that went on, from the completely mundane to some fairly groundbreaking...<br />
For example the discovery of DNA, NASA was formed, Disneyland opened, Peanuts comic strips were first published, Colour television was invented. Russia launched the first spacecraft Sputnik and later launched the first living creature (a dog named Laika) into space.<br />
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This lists just a few of many things to take pace during the fifties. I feel that this rather generic search may help us find an idea. Or possibly provide some features to give a little wow factor to our eventual idea.<br />
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For example, lego building bricks invented during that period could provide an interesting style when creating an animation.<br />
Television is a clear indicator of era and so perhaps using a colour television, or creating an advertisement would be apt for the period.<br />
Creature features and the like were popular during the fifties, so creating a sic-fi horror of our own , or something based on the 1950's novel 'Day of the Triffids' could be viable...<br />
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<br />eclarksonhttp://www.blogger.com/profile/14109656778873436497noreply@blogger.com0tag:blogger.com,1999:blog-4239408441027889695.post-14157807861239132982013-10-07T05:30:00.004-07:002013-10-07T05:30:56.678-07:00Duck and Cover!- Idea 2In the early fifties, Soviet Russia began to test nuclear weapons. In response, the US governments Civil Defence branch created awareness videos to try to prepare the American public for the event of a Nuclear bombing.<br />
In the example below there is a harmless innocence due to the cartoon nature of 'Bert the Turtle'. And despite having live-action elements, describing what to do in the event, the actions taken are carried out unbelievably calmly and seem all but useless against a bomb blast! The terrifying fact was that America could quite literally have been levelled at any second by a nuclear attack and keeping morale up with a can-do attitude was necessary. However the whole thing has an element of sticking a plaster over a gaping wound.<br />
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Meg and I wondered if we could play on the ridiculous nature of some of these duck and cover techniques. Create perhaps a dark comedy. Or possibly use a little of the Loony Tunes and Merrie Melodies style to lighten things to a Wile.E.Coyote and Roadrunner level. The cartoons were well and truly established by the fifties.<br />
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However, again, this idea lacks any real story and so the idea was also scrapped.<br />
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